And the inspiration, where does it come from?
Everywhere: in the colors and textures of the veneers, in the defects of the wood, in the clients' requests. It takes very little to spark the imagination: a visit to a museum or, more simply, what happens around us on a daily basis.
How important is research and experimentation, even in a work based on the transmission of a craft tradition?
Research and experimentation undoubtedly help to contextualize in the present a centuries-old art such as wood marquetry. I constantly follow the evolution of the offering of the raw material (natural woods and natural dyes) and the materials to be used in the finishing stages of every work, and in the end this allows me to execute valuable inlays on any type of object: from boiserie, to large furniture such as cabinets and tables, to small jewelry (medallions, bracelets, etc.). These conditions pave the way for new projects, which I often make together with creative people and designers interested, as I am, in keeping alive a dialogue between tradition and modernity.
How do you combine tradition and modernity in an effective and original way, in a work of artistic craftsmanship?
There is a need for balance and sensitivity. Tradition provides the foundation: authentic materials and respect for history. A contemporary approach brings modern visions and adaptations that respond to the tastes and needs of the present. A good product of high craftsmanship combines the ability to tell the story of the past with the ability to project into the future.
What advice would you give to those who want to take this path?
There must of course be a strong motivation and a natural predisposition for creative and manual work. However, in the best tradition of high craftsmanship, a primary condition is to have expert guidance to help take the first steps in the field.
What was it like learning the trade alongside your father?
It was a unique and unrepeatable experience. He was a deep connoisseur of wood marquetry, a true master, always helpful and generous in transferring all his knowledge to me, with care and dedication. What I think made the real difference, however, was the passion he put into his work, which was absolutely contagious. That is how, after 40 years, I am still here making inlays.